“…a language where language ends”
The Music and Transcriptions of William Winstead

Faculty and Guest Recital: Darrel Hale, Bassoon and Ana Maria Otamendi, Piano with Special Guest Megan Ihnen, Mezzo-Soprano, and Elena Lacheva, Harpsichord

from Four Impromptus (2001)…………………….. William Winstead (1942–2020)

• II. On Doubt

Carmen Fantasy (1875/1882) ………………………….Georges Bizet (1838–1875) adapt. Pablo de Sarasate (1844–1908) arr. William Winstead

• Aragonaise (Allegro moderato)
• Habanera (Moderato)
• Seguidilla (Allegro moderato)
• Gypsy Dance (Moderato)

from Four Impromptus (2001)………………………………………….William Winstead

• IV. On Joy

Second Operatic Anthology (2001) …………………….. trans. William Winstead

• Porgi, amor, Le nozze di Figaro, K. 492 (1786)…………….Wolfgang Amadeus Mozart (1756–1791)
• Ah, fors’e lui, La traviata (1853)…………………. Giuseppe Verdi (1813–1901)
• Amour! Viens aider, Samson et Delilah, Opus 47 (1877)……………………Camille Saint-Saëns (1835–1921)
• Una voce poco fa, Il barbiere di Siviglia (1816)………………………………… Gioachino Rossini (1792–1868)

Trio for Mixed Voices: Soforthe (1981)…………………………….William Winstead

Elena Lacheva, harpsichord

Megan Ihnen, mezzo-soprano